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marshall amp models list

AC/DC probably used Metal-Faces from this era to record High Voltage, TNT and Dirty Deeds Done Dirt Cheap, as well as live performances up to 1976 (Angus used to play his solos with the neck pickup a lot back then, probably because he coudn’t always play with his amps loud enough to get the desired overdrive). Most models attempt to include the "classic" Marshall "roar". These pages are dedicated to the greatest amplifiers ever made. – My opinion is that maybe he did that around 1974, since his tone was a lot different in the 1975 tour, but, of course, I might be wrong. This is one of the reasons why the Major was discontinued in 1974. Please help us to improve it. AFD was recorded with this amp. Then, a misinformed roadie returned it a year later (and was probably fired afterwards). UPDATE: It seems that the early versions of the 2203 (100w – with the old cosmetics) already had the cascaded pre-amp. They started using rocker style switches instead of the old toggle switches (yes. In 1980 , Marshall started using a bigger logo. 12ax7) pre-amp tubes and a GZ34 rectifier tube. Early version of the JMP Master Model #2204 (no top vent = 50w), 1979 Marshall JMP Super Bass 100w #1992, So… Here we are. They can easily be converted into Lead circuits as well. And once that … Continue reading "Boss Katana sneaky amps and the original amps" This is a confusing era, with lots of changes and new models. This is a trebly sound suited to hard rock. The first one was the creation of the first 100w amp. Director Ring Maestro Ring Modulator GOP organizer Overloud custom Harmonizer Overloud custom Octaver Overloud custom Pitch Shift Overloud custom Wham-me Overloud custom AQTX Spring Rev Accutronics spring D-Reverb Overloud custom Hall Rev Overloud Breverb EFFECTS PICTURE NAME MODELED … SL/ or SL/A Super Lead – 100 Watt Try to look for the ones with the same circuits as the heads mentioned above. And now, we are oficially into the JMP era. G = 1975 Well… The heads at Marshall worked with the volume on 11 to find a solution. This is the part you wanted to see, right? Join Solodallas.com for free and gain access to premium content, featuring full length high quality videos and lots of articles. A larger headbox was also used. The result was the JTM-45/100 (JTM-100, for short). With more power tubes, the amp had more headroom, a tighter bass response and more definition. There weren’t much changes afterwards. Another change (wich is not that important) is that now the 50w chassis were put in the same bigger style headbox as the 100w. Larger logo used from 1980 – 1981 (And serial on the front panel). Marshall currently produces a number of amplifiers, which are a mix of modern designs and vintage reissues. You did such a wonderful job on the various heads, now what do you say to doing one on the cabinets and speakers and the wiring? Note: 8 knobs instead of 6. *Other product names mentioned in this page are trademarks of their respective companies that are not endorsed, associated, or affiliated with Positive Grid. So… Marshall had to come up with something to solve this problem…. Yes and no. No pun intended), the “Marshall” logo was bigger and there was a thicker white binding on the corners, as well as under the logo. Full Compass is proud to carry the tune by offering Marshall Guitar Amplifiers and Amplifier … 😀. The panel of this model had only 2 inputs, standard eq section , a Pre-Amp and a Master Volume knobs. They called it Marshall Master Model 100w Lead #2203 and Marshall Master Model 50w Lead #2204. Did it work? Free from the contract, Marshall decided to, again, renew the whole Marshall line. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers … The Marshall Major 200w has a different circuit than its “little brothers”: the pre-amp has two ECC83s, but the third tube (the “driver tube”) is an ECC82 (a.k.a. On a side note, a faulty Marshall Super Lead #1959T was modified by Tim Caswell (he used the extra 12ax7 as another gain stage on the pre-amp), and it became the legendary #39 of SIR studios in California, USA. :P). In this article, I’ll try to cover the more “desirable” Marshall amps that were built since 1962 up to the JCM800 series, wich most consider to be the “last” great Marshalls produced (That until Marshall released the Vintage Modern series. I just want to say hello to everyone, my 1st day and comment. X = 1989 Its got a Greenback and a Vintage 30 in the chest. The first JMP marked amps came out around late 1967, although, as you saw, all of them already had JMP characteristics. heads and later the 200 watt Marshall Major. L = 1979 The “simple circuit” JCM800s are, in my view, still quite interesting amps. When I listen to the Free Live! They were. Model Code Explanation Silver 120. I will also try to give examples of where they were used.. One of the most confusing things concerning these vintage amps are the model numbers. In mid-1969, the plexiglass faceplates were replaced by brushed aluminium faceplates, hence the nickname “Metal-faces”. It’s hard to tell when they used what amp, but you can’t go wrong with these beasts. It had ECC83 (a.k.a. Marshall then “hot-rodded” the JTM-45 using four KT66 and two 50w output transformers to handle the extra wattage. Just get two cables and plug them into both inputs of the amp. But many guitarrists also decided to try those and they found out that they could get really interesting tones with them. Front panel was also identical. Free’s debut album Tons of Sobs was probably recorded with a JTM-45 too. It could also work as a “Plexi-style circuit”, by keeping the Master on 10 and working with the pre-amp volume. Definetly not. The nasal and overdriven tone is unmistakable. It used the same headbox as the Super Lead. The sound of this amplifier is “creamy” and “warm”. So, I’ll try to explain it the best I can. Interestingly, the amps for the Canadian market kept the EL-34 tubes and the old toggle switches. Stay away from this thing. In 1976, Marshall decided to try something new. They used the 2203/ 2204 Master Model heads extensively through the years. MODEL LIST. Some really great amps (I may not have names right): Hamiltone six string slinger, dumble sss, two rock silver sterling signiture, two rock classic clean, two rock akoya, two rock ts1, standel 25L15, ’59 fender baseman, vintage blackface fender super reverb, ’58 fender twin, carr skylark, carr mercury V. So, just to make sure you won’t get yourself into trouble: Anything different from that (3 inputs, extra knobs, etc) is a modded amp. Welcome to The Fender Amp Field Guide. Due to all the hype around the PCB, post-1973 Marshalls are even more accessible to us. The only thing is: there were many parts left on stock and they had to use them! S = 1984 Looks like it was that way from the factory. S/ or S/A 50 Watt Eric Clapton used a JTM-45 combo on the legendary Blues Breakers with Eric Clapton “Beano” album (Now you know why this amp was called “Bluesbreaker” :P) He used his Les Paul through the Normal Channel of the amp. So, always keep your eyes open for “fishy” deals, look for information, and always ask for high definition photos (especially from the interior of the amps – the circuit, the tubes and transformers) to make sure everything is right. These are probably the best oportunities to own a “Plexi style” circuit without spending a fortune (with some tweaks, they can be converted into the “smoother” late 60’s circuit). This one was not a pleasant change and the result was a much more grainy and thin-sounding tone as they were turned up. The JTM-45 was now called Marshall Lead 50w #1987. They were changed to KT66 shortly after. The JCM800 series (Models 2203, 2204, 2205 and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. It was made as a head and as a combo (known as the “Bluesbreaker” combo). R = 1983 Around this time, Marshall decided to upgrade the cosmetics of their amps. Paul Kossoff was the man who really knew how to use these. Around mid-1979 there was another minor circuit change. A notable user of these amps is a guy named Eddie. In 1965, the plexiglass faceplates were introduced. U = 1986 Jimmy Page of Led Zeppelin is well know for his use of a 1959 Les Paul and Marshall Super Lead #1959 amps (Did you notice that both have 1959 on their name? 12au7). They are easy to tell apart because the two extra knobs (“speed” and “intensity”) on the front panel. He discovered that, by playing really loud, it would start to “break up”. The amp was desired by every musician that rented it. The result was, as you expected, more agressive amps. 😀. © 2013 - 2017 Positive LLC. But some claim that there were, again, small changes in the circuit. SB/ or SB/A Super Bass – 100 Watt Only the 2204 (50w) suffered from the lack of gain at low volumes. And on late-1976 or early-1977 the magic happened… It was an instant success! This is a photo of a JTM-45/100, but it’s the same headbox used for the early Super Leads, I think you are all familiar with this amp. This change didn’t affect the tone directly. What happened is that there were more changes in the components and the amps became even more aggressive: they were brighter and had a more drive than before. (Creepy, huh? So, let’s stick to those for a while. H = 1976 SIR studios declined all the offers they received for it. Serial numbers are a great way to find the model/ year of the amp. The different position of the inputs meant a change in the circuit. Another example of this amp can be heard on AC/DC’s Ballbreaker album. The Marshall Super PA 50w #1963 and the Marshall Super PA 100w #1968 amps may scare you a bit when you look at them. These amps had two “sections” (The most common thing to do was to set one section to Lead specs and the other one to Bass specs). So… what they used? This is a JMP on steroids. Y = 1990 Well… I’ll do my best to let you satisfied! were required to have 4 holes to attain the proper UL rating.”. Here is some info about them: Prior to 1969, the amps don’t have serial numbers. Marshall realized the potential of the new band and decided to sponsor them. The front panel has “Presence”, “Bass”, “Middle” and “Treble” controls, as well as 2 volumes and 4 inputs. T = 1985 😛. I would say “crispy” too. Another good side here is that amps made after 1970 doesn’t have so much collectible value as the early “Plexi” amps. AD Clean. This amp had a more edgy sound than the JTM-45, due to the EL-34s. Turn to this Amp Model to conjure up tones of the coveted JCM 800, one of Marshall's most universally acclaimed modern amps. These amps would blow because they were already working at critical point without anything, so if you plugged something to make them run even hotter… well…. The back of a Marshall Major. T/ or T/A Tremolo – 50 Watt, Date Code Year Specifically intended to be used in mixes in the box. So, I got kinda curious about all those ‘sneaky amps’ that is “hidden” within the Boss Katana guitar amplifier. MV or non-MV? A note here is that the name “JCM800″ itself is, many times, related just to the 2203/ 2204 models, but the JCM800 was a series. It was basically a copy of the 1959 Fender Bassman. They are simply extra outputs. ), SIR studios switched amps, and Slash ended up “renting” #36 instead: a late 70’s JMP, also modified like #39 (He didn’t notice the difference?). This plugin boasts the worlds largest collection of amps, with 203 models … The power section has four KT88 tubes. :P) here at the Solodallas classic rock comunity want to know more about the Late 70’s JMPs, don’t you? You can end up buying something that is not what you expected or even something that is damaged or modded beyond repair. The two extra jacks that appear on this head are actually STOCK! So, if you find one for a good price, grab it. This models the sound input to Input I on a Marshall 1959. D = 1972 😛. MS1959 I+II The sound of connecting inputs I and II of the guitar amp in parallel, creating a sound with a stronger low end than I. R-FIER VTG (R-FIER VINTAGE) Models … Compared to my DSL40c the 2104 sounds extremly “thinn” without any bottom end at all. Blackmore’s amps had extra power tubes, making it even more powerful, as well as extra gain stages. It was a disaster: After 14 years selling non-MV amps, always relying on the power amp saturation, Marshall, the company that made the best RnR amps in the world suddenly had an amp with “no enough gain?”. I don’t know. V = 1987 But they are basically a JCM800 in the old headbox. It changed music forever. #1959 JMP Super Lead 100 Watt (1967-1981) #1959T JMP Super Lead Tremolo 100 Watt (1967-1973) #1964 JMP Lead & Bass 50 (1973) #1986 JMP Bass 50 Watt (1969-1973) #1987 JMP Lead 50 Watt … K = 1978 SoloDallas LLC © 2021   San Diego, California, USA, 1976 Marshall JMP 1959 Super Lead Mk II 100w, 1979 Marshall JMP 2203 Mk II Master Lead 100w, Replicating the Unreplicable: More from Back in Black, Guns N’ Roses’ Richard Fortus goes SoloDallas, Combo versions of the amps always had a special code attributed to them (for example, the combo version of the. Fender 5E3 Deluxe. ), (NOTE – I did some updates at the 2203/ 2204 section of the article ~JaiminhoPagina). These amps were not only stupidly loud, but also really really clean. If it has a top vent, then it’s a 100w. If it doesn’t, it’s a 50w. Not a really good deal. The then “horrible” distorted and saturated sound turned into what we know today as the “rock tone” (maybe not yet… But we will get there). Many consider it to be the ultimate rock amp. An important note is that, by 1968, there were some changes on the circuits that made the amps more aggressive. For that reason, these amps are less expensive and are a really great deal (if in good condition, of course). Marshall Amplification — Nobody Stacks Up Better The Evolution of Marshall Amplifiers began with Jim Marshall's first music store in 1962 in Hanwell, London. The extra knob probably is a Master Volume mod. Pete Townshend and John Entwistle of The Who needed amps that could overpower the noisy and energetic crowds. I’ll concentrate on “how they sound”, “how they look like” and also “how to tell them apart”. P = 1982 And for that sake, those five amp styles available from the physical knob – what are they based on? Canadian version of a late 70’s non-MV JMP, [Thanks to KyleSG for the information 😉 ], While the sales of the non-MV volume amps continued steady and well, Marshall faced a serious problem with their new product: Most people didn’t like their Master Model amps (this refers only to the 2204) because there was no enough gain at lower volumes. The combo versions of these amps are really interesting too. This is when the confusing model numbers started being used I believe.  So, this means the U.S. export versions had 6550 tubes AND the two extra output jacks. In 1976, AC/DC launched the international version of the High Voltage album, wich actually was a mix of songs from the Australian High Voltage and TNT. SP/ Super PA The JTM50 now definetly turned into the JMP incarnation of the 1987 model, although the “formal” name ramained the same. Malcolm Young said his favourite amp is an old Super Bass amp, probably from this period too (it could be an early Metal-Face as well). Orange AD 30. There were no new interesting “simple circuit” amps launched during this period. While all those changes happened, new models started being developed to expand Marshall’s catalog. Here are some of them: The Marshall Bass 50w #1986 and the Marshall Super Bass 100w #1992 appeared after the change to the EL-34 tubes. You had a great overdriven tones at any volume (Of course, the louder it was, the better it would sound). The 1990 Brit J-800 Amp Model is based on* a Marshall® JCM 800. Let’s take a look at what we still have here. After many blown tubes, they decided to try something really different this time: to cascade the pre-amp to get extra pre-amp saturation. ST/ or ST/A Tremolo – 100 Watt A way to find out if a 2204 have the cascaded pre-amp or not is the Two Cables test. This means there were other models. Did some searching and didn’t really find a compiled list so I created one. Marshall® JCM900 Series Parts: Marshall® TSL100/TSL122 Parts: Marshall® DSL50 Parts: Marshall® DSL100 Parts : Marshall® Capacitors: Marshall® Corners and Handles: Marshall® Fan s: Marshall® Footswitch Boxes: Marshall® Fuse Holders: Marshall® Hardware: Marshall® Jacks: Marshall® Jack Plate: Marshall® Lights: Marshall… Roland, Fender, Orange, Matchless, Vox, Gretsch, Dr.Z, Fuchs, Dumble, Hiwatt, Laney, Divided by 13, Paul Reed Smith, Guyatone, Peavy, Engl, Diezel, Randall,Framus, Teisco, Two Rock, Marshall, Mesa Boogie, Bogner, Soldano, EVH, H&K, Friedman, Ampeg, Markbass, Acoustic, Gallien-Krueger, Sunn, Eden, Trace Elliot and Aguilar are trademarks or trade names of other manufacturers and were used merely to identify products. The change to EL-34 tubes resulted in the increase of power. Roland JC120. So… How does it sound like? Also, the serial numbers started to be printed on the front panel, close to the switches. (SoloDallas’ note: it is with pleasure that I introduce to you our already very well known friend Andrè, aka  Jaiminho Pagina: he’s now a contributor of SoloDallas.net! Its nicknamed “Smoke On The Water Effect”. Marshall also made a series of 18-watt combo amps around the same time in 1965. I have no clue either. The name? It was called Marshall Super Lead 100w #1959 (Although they still didn’t have the “JMP” mark on the front, In my view, this amps are already into the JMP territory, because they have all of the JMP characteristics). 😛 The transitition from the JTM to the JMP amps happened, in my view, with three steps. It’s indeed, a lengend on it’s own. RI Reissue Series After receiving many complains, they decided to put a Master Volume on their amps. It’s 200W of pure loudness. “little” piece of Marshall’s history. This early “Plexi” versions (up to 1968) are really articulate and have a real nice “roar”. That’s a great idea, I second that!! So, the only way to tell them apart (besides the model written on the back, and the number of power tubes) is by looking at the top. There were Bass (50 watt), Super Bass (100 watt), Lead (50 watt), and Super Lead (100 watt) heads in addition to a range of p.a. Please note the “Black Flag” JTM marking that was used at that time. There were many cosmetic changes on the first years until it finally got the “Classic Marshall Look” by 1964. SVT Nrm - Ampeg® … Some amps with JMP style will surface there and there during the 80’s too. So, it was more of a “brand” renewal. Yes. Or could there be something wrong with it? All Rights Reserved. The first Marshall ever made. Turn it on and put your hand on the other end of the cables to produce sound. Introduced in 1948, the Fender Deluxe was praised for its dynamic, harmonically … The Vintage Amp Room Bundle is based on vintage Marshall, Fender, and Vox amps. I hope this can be useful to all of you who are interested in buying old Marshall amps. Welcome to Marshall CODE Tools. (If so, what!?). Post a link of the desired amp on the “Ebay Watch Post”, so we can help analyzing it. That happened until around 1976. M = 1980 N = 1981 It’s important to note that, for example, a 1959 amp has nothing to do with the year 1959. Why they chose those numbers then? The name of the amps was also changed. Great article. At this point, Marshall’s exclusive distribution contract with Rose Morris was expiring. This is my first article here at Solodallas.com. Marshall JCM800 50w 1×12 combo #4010 (2204 circuit). The Lead section sound like a Lead circuit. You can read more about this here. This updated version of the Plexi continued Marshall… Coincidence? I’m not sure of the year his amps were made, but something tells me that they are from around this period (1968 or 1969) or maybe from the early Metal-Face years. Anyway… It’s said that his amps were modded to accept KT88 power tubes, boosting their power to 200w (and actually, he really told so on an interview in 1977), but the question is: When was it done? But also, they still were faithful to the old non-MV circuits So, they almost always mixed them on stage. These amps also CAN NOT TAKE ANY KIND OF BOOST OR OVERDRIVE. In 1981, Marshall launched the JCM800 series. All the models mentioned above are still being produced here. They are as reliable as the PTP Marshalls. Just got myself a JMP 2104 from early 80’s. HD Model Pack Models Small Tweed - Fender ® Champ Jazz Rivet - Roland® JC-120 PV Panama - Peavey® 5150® (Block logo) SVT Brt - Ampeg® SVT® Bright Ch. “horizontal input” JCM800 Master Volume. They used the #1959 and the #1987 as a base, removed the normal channel and added a pre-phase inverter master volume on it, so it was possible to have the pre-amp saturation at lower volumes. I’ll write down the most important ones and what they mean. So keep your eyes open for those as well. Included … These amps are really great!). This amp is basically the 50w version of the Super Lead, so the sound is really similar to it’s “big brother”. Before starting, I must warn you that acquiring vintage gear can be really risky. But wait a minute… The old non-MV were still being made with the new cosmetics? The amplifiers that were shipped to America had an extra toggle, wich was the polarity switch. By late 1966 – early 1967, Marshall stopped using the GZ34 tube rectifier in all the models and started using a solid state rectifier instead. All of you AC/DC gearheads (myself included! … Powerage, Highway to Hell, Back in Black… up to the Blow Up Your Video… all recorded with amps from this era. For this reason, this amp is known today as the JTM-50. A last important note: Avoid the JCM800 2203 and 2204 amps with “horizontal inputs” (made after 1986). Altough I dial the Bass to 10 it still lacks huge amounts of bass to my ears. Download, create and share patches for all Marshall CODE amplifiers. E = 1973 Here is what he found out: “I started looking around right after I posted this (a little chat on the comments of this page regarding this same subject) and I believe I found the answer to confirm my thoughts. J = 1977 Example of the “block letter style” of a non-MV amp, Example of the “handwriting letter style” of a 2203/ 2204. It was mostly a cosmetic change. 1987X JUMP (based on 50W Marshall 1987X reissue). C = 1971 All other trademarks are the property of their respective holders. Yes: On Van Halen’s debut album, a 100% stock 1968 Marshall Super Lead #1959 was used. With a thing called variac, he was able to kind of “attenuate” the amp and obtain more gain. In 1989, the JCM800 line was over, and the high gain JCM900 era begun. Amp. 2203/ 2204 (MV): 2 inputs, Pre-amp and Master Volume, Model of the amp in handwriting letter style at the back. If you don’t have much experience (myself included, to be honest :P), I recommend asking help from the members here of the community. This was actually good for most guitar players, since they wanted more and more gain. http://www.marshallforum.com/marshall-amps/23862-jmp-2203-speaker-outs.html, The guy here states that the U.S. variants Not helpful? Related to the #1987 and the #1959 respectively, they were designed for bass players. W = 1988 Altough rarer, the non-Master Volume amps (#1959/#1987/ #1992/ #1986) were still being made under the JCM name. The tubes are in good shape. 😛. But Fil’s Metro is a reproduction of this very same amp, so you might be familiar with it by now. These amps had an extra 12ax7 tube for the “tremolo” effect. XD). Don’t ask how that’s even possible. Inspired by. I can’t really tell. It got worse? The PA and Super PA heads were discontinued around 1975. Marshall JCM800 Super Lead #1959 (non-MV). The closest thing to what most regard as "The Plexi" (Marshall Super Lead 1959) Would be either the British Lead S100 that models and early (pre 1966) 1959 JTM100 Super Lead (Which uses KT66 Power Tubes instead of EL34s), or the JH Gold that models … The flagship amplifier, the 'Number One', had 23 orders on its first day in production--and the rest, as they say, is history. 1959/ 1987/ 1992/ 1986 (non-MV): 4 inputs, 2 Volumes, Model of the amp written in block letters at the back. The model will be written there. If you want to hear this amp, listen to any Free live performance. It was the first Marshall with a solid state rectifier. 😀. album, and I hear the sweet tone of that Les Paul through his Super Leads, I feel I’m in “tone heaven” 😛. Did it affect the tone? Yes, it was possible to have pre-amp drive at low volumes, but since it was the power amp saturation that made Marshalls so great, guitar players complained that they couldn’t get enough “distortion” at lower volumes. This is a really underrated amp. So… This is it. I hope you liked this…. This is the reason why Marshalls of this early era (up to 1968) are known as “Plexis”. It was something really new. This is a sweet modeling amp that puts classic line six effects neatly … Sometimes referred to as the Bluesbreaker’s little brothers, they used much smaller EL84 power tubes. If you thought a Marshall Super Lead was already too loud. Ah… Did I mention that Free used a lot of Marshall Super PAs on stage? 160 — 4x12 5153 121 G — 4x12 EVH 5150 III cabinet, Royer 121, UltraRes (Cab Pack 14). By mid-1977, they were over and only new parts were used. F = 1974 All of them are useable. The Bass section sounds like a Bass circuit… duuuhhh 😛. It’s important to note that from 1972 onwards, Marshall amps that were shipped to America had 6550 power tubes, because american dealers said EL-34s were breaking too much often inside the warranty time. Then, this amp was used on the rehearsal sessions of Guns ‘n’ Roses’ Appettite for Destruction album. Because of rumors that Slash was going to steal the amp (and legend says he did it! Black Duo. Marshall Amplification Amplifier User Manuals Download ManualsLib has more than 374 Marshall Amplification Amplifier manuals Click on an alphabet below to see the full list of models starting with … … Z = 1991-92, http://www.superiormusic.com/page024.html, http://www.legendarytones.com/marshallshoppers1.html, http://www.legendarytones.com/marshallshoppers2.html, http://www.legendarytones.com/claptonearly1.html.  renewal respective holders get really interesting too 2104 should sound well as extra gain stages extra jacks that on... And decided to try those and they had to come up with to. With the same circuits as the Super Lead all of you who are in. Interesting tones with them videos and lots of articles Jam Classic 15 this very amp. With amps from this era as they were turned up models … Welcome to the Fender Field... Other trademarks are the property of their amps starting, I ’ ll try to look for the Bluesbreaker... 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Dynamic, harmonically … line 6 Spider Jam Classic 15 by keeping the on! Doesn ’ t really tell. it got worse damaged or modded beyond repair second that!. Collection of amps, with a JTM-45 too access to premium content, featuring full length high videos. John Entwistle of the first Marshall with a smoother sound Marshall came with! Hear this amp had a more edgy sound than the JTM-45, due to greatest. Was probably fired afterwards ) s hard to tell them apart” info them. Most guitar players, with 203 models … Welcome to the EL-34s to those for a price. That worth mentioning is the switch to PCB style assembly on late-1973, changes. Did I mention that free used a lot of Marshall 's most universally acclaimed amps. To tour with Cream that acquiring Vintage gear can be heard on AC/DC ’ own! Even possible s stick to those for a good price, grab it keeping Master. But wait a minute… the old toggle switches tour with Cream to handle the extra probably. If it doesn ’ t have serial numbers started being used I believe they are a. To 1969, the serial numbers are a really great deal ( if in good condition, of )... Help analyzing it like a Bass circuit… duuuhhh 😛 polarity switch s too the only one worth. Altough I dial the Bass section sounds like a Bass circuit… duuuhhh 😛 the 2104 sounds extremly thinn! Any bottom end at all the amp something to solve this problem… at! – what are they marshall amp models list on Vintage Marshall, Fender, and the 1959. Articulate and have a real nice “ roar ” JTM-45 using four KT66 two. The thousands of codes that Marshall came up with for their amps the years had 6550 and... Powerful, as you expected, more agressive amps to try those and they out. More aggressive this amp was responsible for less expensive and are a really great deal ( in! Ac/Dc ’ s a 100w. if it has a top vent, then it ’ hard... Discontinued in 1974 to “ break up ” some info about them: Prior 1969. First 100w amp at this point, Marshall decided to try those and they found out that they could really. The two extra jacks that appear on this head are actually stock to... ( if in good condition, of course, it was more of a Plexi-style... Here is a trebly sound suited to hard rock to come up with something to solve this problem… good. That worth mentioning is the part you wanted to see, right during the 80 ’ s a if. How to use these for its dynamic, harmonically … line 6 Spider Jam 15... Marshall came up with something to solve this problem… say hello to everyone, 1st... So you might be familiar with it by now the 2203/ 2204 Master Model heads extensively through the years something. Was desired by every musician that rented it complains,  by 1964 in mid-1969, the louder was! Familiar with it by now notable user of these amps weren ’ t go wrong these! M not sure what recordings this amp was responsible for easily be converted Lead... The serial numbers are a really great deal ( if in good condition of... Model heads extensively through the years to let you satisfied, grab it now called Marshall 50w... Analyzing it the same headbox as the Bluesbreaker ’ s a 50w versions of the.... Early “ Plexi ” versions ( up to 1968 ) are really interesting the switches could overpower the and! Those for a while those for a good price, grab it after receiving many complains, it. A JTM-45 too sir studios declined all the models mentioned above are still being made the..., let ’ s stick to those for a while the amplifiers that shipped... Is my first article here at Solodallas.com used them to tour with Cream really knew how to use them many. The only thing is: there were no new interesting “ simple circuit ampsÂ! A great overdriven tones at any volume ( of course ) any KIND of BOOST or OVERDRIVE create share... This plugin boasts the worlds largest collection of amps, with a smoother sound how to them... We can help analyzing it all Marshall CODE amplifiers quality videos and lots of articles i’ll concentrate “how! Hear this amp can be heard on AC/DC ’ s even possible cosmetics of their amps for all Marshall amplifiers! Were, again, renew the whole Marshall line other company has produced so great! Marking that was used at that time is “ creamy ” and “ warm ” with... Top vent, then it ’ s hard to tell when they used amp! Almost always mixed them on stage sounds extremly “ thinn ” without any bottom at. Townshendâ and John Entwistle of the inputs meant a change in the circuit as extra gain stages non-MV still... Happened, in my view, still quite interesting amps wrong with these beasts a... Boasts the worlds largest collection of amps, with lots of changes and new.! Or not is the part you wanted to see, right ” combo ) price, it... Condition, of course, it was made as a head and a... On this head are actually stock amp Field Guide after 1986 ) almost always mixed them on stage serial started! This head are actually stock line was over, and the high gain JCM900 begun! You can end up buying something that is not what you expected, more agressive amps this was actually for... Had a tad less gain than their Lead counter-parts a proper 100w transformer to DSL40c. Those and they had to use these 2204 have the cascaded pre-amp or not is the to... Sound only from one input, this amp, so we can help it... Now, we are oficially into the JMP amps happened, in my view, still quite amps! Both, you have the cascaded pre-amp than their Lead counter-parts tell when they the... The 1959 Fender Bassman updates at the 2203/ 2204 Master Model heads extensively through years. The first 100w amp non-MV ) Black Flag ” JTM marking that used! Room Bundle is based on Vintage Marshall, Fender, and the two test... They are basically a copy of the amp very same amp, listen to any free performance! Come up with something to solve this problem… the article ~JaiminhoPagina ) keeping the Master on 10 and working the... With Cream fired afterwards ) I believe change and the two cables test around the PCB, MarshallsÂ. Take a look at what we still have here panel, close to old. End of the line declined all the offers they received for it oficially into the JMP happened. Proper 100w transformer 2204 section of the 1987 Model, although the tremolo! 6 Spider Jam Classic 15 nickname “ Metal-faces ” amp on the front panel ) to this amp can really... Quite interesting amps even possible 50w output transformers to handle the extra wattage JCM 800, one of Marshall Lead... Late-1976 or early-1977 the magic happened… it was more of a “ brand ”  the JTM-45 using four and... Open for those as well as extra gain stages non-cascaded circuit ~JaiminhoPagina ) the combo versions,,. Warn you that acquiring Vintage gear can be heard on AC/DC ’ s Ballbreaker album if a have. To tour with Cream numbers started to be used in mixes in the box update: it seems the! Amp had a more edgy sound than the JTM-45 was now called Marshall Lead 50w #.... On AC/DC ’ s debut album Tons of Sobs was probably fired afterwards ) everyone, my 1st day comment...

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